With Hayes Carll

July 6, 2025 • 7:00 pm

DOORS 6:00pm  •  All Ages

GET TICKETS

$45 ($51 with fees): one tier for the whole park

KIDS 12 AND UNDER ARE FREE, NO TICKET REQUIRED

For online ticketing sales & support, contact [email protected] or call 1-877-466-3404.
For in-person sales, visit the Lensic box office. 

VENUE: KIT CARSON PARK

SEATING: The park is grass. Please bring your own chairs.

ALCOHOL: Yes, on-site alcohol sales unless otherwise noted.

OUTSIDE FOOD/DRINK: No. Food and beverage trucks are available on-site. 

PARKING: Street parking near venue

ADA INFO: There is limited ADA parking located on Civic Plaza Drive next to the ADA entrance. Patrons then walk 100 yards on a cement sidewalk to the ADA viewing area, located house right, which has seats provided.

THINGS TO BRING: 

• Folding chairs/camp chairs (please be mindful of space)
• Sunscreen
• Raincoat 
• Empty water bottles (no glass please); there will be filling stations on-site
• Small purses (subject to search)

PROHIBITED ITEMS: 

• No shade structures
• No cameras (phones are okay)
• No outside food or drink 
• No pets; working service animals only, must be in a vest 
• No large bags or backpacks
• No wagons or carts
• No weapons of any kind including knives, blades, guns

ROBERT EARL KEEN

Robert Earl Keen, a renowned singer-songwriter from Houston, Texas, has built a prolific career over three decades with a focus on writing and performing his own songs. His ambition to create great music and share it onstage has led to 21 albums and countless live performances, earning him recognition as a living legend and pioneer in the Americana music genre. Keen’s influence extends beyond his music, as he was instrumental in popularizing Americana style and continues to support fellow artists through his Americana Podcast. Raised on classic rock and Willie Nelson, Keen’s early passion for music evolved into a successful career, highlighted by accolades such as the Texas A&M Distinguished Alumni Award and induction into the Texas Heritage Songwriters’ Hall of Fame. Despite his success, Keen remains true to his roots, avoiding mainstream country trends and staying committed to his authentic, storytelling style. With a dedicated fan base and a reputation as a dynamic live performer, Robert Earl Keen’s journey continues to inspire audiences across the country.

HAYES CARLL

Hayes Carll is a Grammy-nominated singer-songwriter known for blending country roots with sharp humor, raw emotion, and vivid storytelling. With songs that make you laugh, cry, and reflect—often all at once—he’s spent over 20 years exploring life’s messiness with honesty and wit. His latest album, You Get It All, produced by Allison Moorer and Kenny Greenberg, showcases his signature mix of heart and humor, cementing his place as one of Americana’s most compelling voices.

with Couch 

June 22, 2025 • 7:00 pm
DOORS 5:30pm  •  All Ages

TIER 1: $76, Tier 1 is the designated area of the field closest to the stage.

TIER 2: $56, Tier 2 is directly behind Tier 1 (the rest of the field).

12 YEARS OLD AND UNDER: Free and no ticket required.

For online ticketing sales & support, contact [email protected] or call 1-877-466-3404.
For in-person sales, visit the Lensic box office. 

VENUE INFO Kit Carson Park

SEATING: The park is grass. Please bring your own chairs.

ALCOHOL: Yes, on-site alcohol sales unless otherwise noted.

OUTSIDE FOOD/DRINK: No

PARKING: Street parking near venue

ADA INFO: There is limited ADA parking located on Civic Plaza Drive next to the ADA entrance. Patrons then walk 100 yards on a cement sidewalk to the ADA viewing area, located house right, which has seats provided.

THINGS TO BRING: 

• Folding chairs/camp chairs (please be mindful of space)
• Sunscreen
• Raincoat 
• Empty water bottles (no glass please); there will be filling stations on-site
• Small purses (subject to search)

PROHIBITED ITEMS: 

• No blankets, tarps, or shade structures
• No cameras (phones are okay)
• No outside food or drink 
• No pets; working service animals only, must be in a vest 
• No large bags or backpacks
• No wagons or carts
• No weapons of any kind including knives, blades, guns

Lake Street Dive

Lake Street Dive have pushed the possibilities of pop music as a unifying force, not only through
their eclectic sound—a boldly original cross-pollination of soul, folk, jazz, classic pop, and
more—the five-piece’s all-embracing ethos has also made them a beloved live band known for
building a potent connection among every crowd. In the making of their new album Good Together,
vocalist Rachael Price, bassist/background vocalist Bridget Kearney, drummer/background vocalist
Mike Calabrese, keyboardist/vocalist Akie Bermiss, and guitarist/background vocalist James
Cornelison reinforced the deep sense of purpose behind their output, often turning their attention
to the many factors driving us apart today (e.g., unchecked technological growth, culturally imposed
isolation, the cult of relentless self-optimization). Born from a mindset they refer to as “joyful
rebellion,” Good Together arrives as a body of work both gloriously defiant and primed to inspire
unbridled dancing and ecstatic singing-along.

“There’s a lot to be angry about in the world right now, a lot of pain and rage and divisiveness, but it
isn’t sustainable to constantly live in that anger—you need something else to keep you going,” says
Calabrese. “Joy is a great way to sustain yourself, and we wanted to encourage everyone to stay aware
of that. In a way this album is our way of saying, ‘Take your joy very seriously.’”

In keeping with that spirit of communal uplift, Lake Street Dive’s eighth full-length marks the first
time they’ve ever worked together in the earliest and most vulnerable stages of songwriting. Back in
early 2023, the band’s members met up at Calabrese’s home studio in Vermont and spent nearly a
week generating new songs, catalyzing the process with the help of a 20-sided die (a holdover from
the many Zoom-based Dungeons & Dragons matches held by Bermiss and Kearney during
lockdown). “The captain of a particular song would roll the die, and the result would decide the
chords, the meter, and the tempo for that song,” Kearney explains. “We’d take those elements and
jam for a while, go our separate ways and come up with lyrics and melodies, then come back
together and workshop everything. It ended up taking us to new places we never would’ve gotten to
otherwise, in terms of things like harmony and tempo and groove.” Along with expanding their
musical palette and expressive range, that highly collaborative approach helped the band reach a new
level of intimacy. “In the past we’d written pieces of songs and shared them with each other and
built them up from there, but we always had the space to listen and reflect in total privacy,” says
Price. “At first it was terrifying to write together in the same room, but as soon as we got started it
felt so fun. We very quickly realized, ‘Oh, we need to do this again and again.’”

The follow-up to Obviously—a 2021 LP acclaimed by the likes of Rolling Stone, who noted that “[a]t a
moment when pop strives for lo-fi, solitary-world intimacy, the jazz-pop-whatever band refuse to
think small”—Good Together finds Lake Street Dive working again with Grammy-winning producer
Mike Elizondo (Fiona Apple, Sheryl Crow, Gary Clark Jr.) and recording at his Phantom Studios in
Tennessee. With its sonic landscape encompassing everything from R&B to funk to Brazilian pop,
the album opens on the radiant synth of its title track: an exultant duet between Bermiss and Price
that arose from a happy accident. “‘Good Together’ came from a dice roll where I was captain, but
when I went to go work on the production I cut it up wrong and ended up with a very weird time
signature,” Bermiss recalls. “It somehow worked anyway, and Bridget came up with the narrative of
two people from dubious backgrounds and trying to start over together.” One of several tracks
featuring the horn section from Brooklyn-based jazz band Huntertones, the result is a left-of-center
love song celebrating the thrill of defying expectation and following your heart’s desire.

Next, on “Dance with a Stranger,” Lake Street Dive once again prove their undeniable gift for
crafting feel-good songs with an illuminating message. “I went on a solo writing retreat in Kingston,
New York, and ended up attending a square dance at a VFW hall,” says Kearney in discussing the
song’s origins. “It was a group of people from all generations and all walks of life, all there dancing
together, which made me think, ‘What if we could write a song that helped to create that kind of
connection at our shows?’” Lit up in lush grooves, glistening textures, and exuberant gang vocals
calling out instruction (“Left, right, front, side/Find somebody new and then/Take them by the
hand and/Say you understand”), “Dance with a Stranger” ultimately achieves the singular feat of
inducing a carefree euphoria while gently fostering empathy.

Although much of Good Together emerged from Lake Street Dive’s incisive observation of the outside
world, many songs mine inspiration from the intricacies of their own lives. To that end, “Walking
Uphill” took shape as Price thumbed through her journal from seven years earlier, then transformed
a series of underlined passages into a gripping meditation on the work of self-repair. “It’s about the
idea of toil turning into something beautiful, so we wanted it to sound intense and gritty but with
some catharsis at the end,” notes Price, whose vocals shift into exquisitely raw abandon in the track’s
final moments. Originated by Calabrese, the luminous and summery “Seats at the Bar” puts a
sweetly playful twist on the classic love song, unfolding in tropicália-esque rhythms and the breezy
but elegant percussion of guest musician Abe Rounds (Andrew Bird, Blake Mills, Emily King).
“When my wife and I first met she was in the wine industry, and sometimes I’d visit restaurants with
her and we’d end up staying for dinner and sitting at the bar,” says Calabrese. “It was fun to write a
love song about bucking trends in our own little way—sort of like, ‘Enjoy your fancy table with your
fancy tablecloth; we’ll be over here eating french fries and having a good time together.’” And on
“Twenty-Five,” Price delivers a stark and lovely ballad steeped in tender reminiscence of a long-ago
romance, her voice accompanied only by Bermiss’ gorgeously understated performance on piano.
“It’s about a great love that was never meant to last, but you still end up carrying it with you for the
rest of your life,” says Kearney. “I thought that was a beautiful sentiment, but it also ties into the
theme of the album and the whole question of, ‘How can we as a species continue to love one
another, in spite of all the challenges we face?’”

All throughout Good Together, Lake Street Dive reveal the immense expanse of their musicality and
expressive imagination. On “Better Not Tell You,” for instance, the band presents a
’70s-funk-inspired dance track Bermiss originally penned from the perspective of the three witches
in Macbeth, while “Far Gone” serves up a bouncy piece of psych-rock exploring what Price sums up
as “this existential crisis where we’re all realizing we’re addicted to technology before we even got a
chance to take a step back from it.” Closing out the album with the dreamlike grandeur of “Set Sail
(Prometheus & Eros)”—a Bermiss-Price duet featuring a spellbinding string arrangement from Rob
Moose (The National, St. Vincent, Bon Iver)—Lake Street Dive also endlessly tap into the palpable
camaraderie that’s fueled the band since they formed in Boston back in 2004.

Lake Street Dive continue to fully embody the effusive sense of togetherness and mutual care
embraced throughout Good Together. “At this point our tastes in music differ more than they ever
have, but we’re still able to bring all those influences together with a real love and respect for the
diversity within the band,” says Price. “I think the main thing that’s kept us going over the years is
that very strong foundation of friendship—everyone has a voice, everyone gets heard, and we’re all
really careful about looking out for each other’s happiness.”

Featuring Jerry Douglas

w/ Willie Watson
June 21, 2025 • 7:00 pm
DOORS 5:30pm  •  All Ages

GET TICKETS

TIER 1: $95, Tier 1 is the designated area of the field closest to the stage.

TIER 2: $65, Tier 2 is directly behind Tier 1 (the rest of the field).

12 YEARS OLD AND UNDER: Free and no ticket required.

For online ticketing sales & support, contact [email protected] or call 1-877-466-3404.
For in-person sales, visit the Lensic box office. 

VENUE INFO Kit Carson Park

SEATING: The park is grass. Please bring your own chairs.

ALCOHOL: Yes, on-site alcohol sales unless otherwise noted.

OUTSIDE FOOD/DRINK: No

PARKING: Street parking near venue

ADA INFO: There is limited ADA parking located on Civic Plaza Drive next to the ADA entrance. Patrons then walk 100 yards on a cement sidewalk to the ADA viewing area, located house right, which has seats provided.

THINGS TO BRING: 

• Folding chairs/camp chairs (please be mindful of space)
• Sunscreen
• Raincoat 
• Empty water bottles (no glass please); there will be filling stations on-site
• Small purses (subject to search)

PROHIBITED ITEMS: 

• No blankets, tarps, or shade structures
• No cameras (phones are okay)
• No outside food or drink 
• No pets; working service animals only, must be in a vest 
• No large bags or backpacks
• No wagons or carts
• No weapons of any kind including knives, blades, guns

ALISON KRAUSS

For nearly four decades, Alison Krauss & Union Station have upheld their legacy as one of the most influential and widely celebrated acts in bluegrass and roots music. Known for an immaculately crafted but endlessly surprising sound that transcends the boundaries of roots, country, rock & roll, and pop, Alison Krauss & Union Station are putting the finishing touches on a new album to be released in 2025—their first since the 2011 masterpiece Paper Airplane—a critically lauded, multiple Grammy Award-winning LP that debuted at #1 on the Billboard Country, Bluegrass, and Folk Album charts. Over the years, Alison Krauss & Union Station have brought their phenomenal live show to sold-out performances at famed venues like Red Rocks Amphitheatre, The Greek Theatre, Radio City Music Hall, and London’s Royal Festival Hall, in addition to supporting Paul Simon in Hyde Park for his 2012 Graceland reunion. They now gear up for their first tour together since 2015. The players—Alison Krauss (fiddle, lead vocal), Jerry Douglas (Dobro, lap steel, vocals), Ron Block (banjo, guitar), Barry Bales (bass, vocals), and welcoming highly acclaimed and celebrated tenor vocalist Russell Moore (guitar, mandolin, lead vocal) as the newest member—are five distinct personalities, each of whom enjoys a flourishing solo career. But when they come together, they transform into a peerless group of musicians who share a singular focus.

For over 30 years the Taos Chamber Music Group has presented concert series that have earned it a reputation for artistic excellence and innovative programming. A highlight of the season is the Holiday Season Festival which features a virtuoso piano recital and a program of chamber music favorites. Performances take place at the Harwood Museum of Art, where TCMG is the Resident Chamber Music Group, in the Arthur Bell Auditorium, an acoustically rich and appealing gem of a hall. This annual event has become a treasured part of the magical holiday season in Taos. For more information visit taoschambermusicgroup.org